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                <title>Notenpost - Noten aller Art/everything else/Female Composer / Arranger products</title>
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            <title>Notenpost - Noten aller Art/everything else/Female Composer / Arranger products</title>
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                <title>Peter and the wolf (3 cellos) 26,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/chamber-music/chamber-music-3-and-more/peter-and-the-wolf-3-cellos.html</link>
                <pubDate>Tue, 07 Oct 2025 09:24:44 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3375_prokofjeff-peter-und-der-wolf-bearbeitung-fuer-3-violoncelli-von-lore-benker.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;﻿&lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Sheet music &quot;Peter and the Wolf&quot; by Sergeji Prokofjejj &lt;span style=&quot;font-size: 14px;&quot;&gt;arranged for three cellos by &lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Lore &lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Benker&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Scope of delivery. Score plus parts. Part 1 additionally in treble clef.&lt;/b&gt;&lt;br&gt;&lt;br&gt;ISMN 979-0-2024-3375-1&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Preface&lt;/i&gt;&lt;br&gt;&lt;br&gt;&quot;Peter and the Wolf&quot; is program music for the beginning of the modern age (20th century). Sergei Prokofiev lived from 1891 to 1953, he was born in Ukraine, lived and died in Moscow. He wrote the setting of the fairy tale for large orchestra in 1936.&lt;br&gt;&lt;br&gt;The individual characters (Peter, Songbird, Duck, Cat, Grandfather, Wolf, Hunter) are introduced in memorable themes (little melodies). In the original, each character has its own timbre through the different instruments of the orchestra.&lt;br&gt;&lt;br&gt;But also with the cello and the bow we have many possibilities of sound shaping! Prokofiev laid out his characters in melody and rhythm so that they can be heard clearly in this version for 3 cellos.&lt;br&gt;&lt;br&gt;The melodies will soon be familiar to you. But the harmony is occasionally irritating because of the frequent chromatic (semitone) regression. The triads are unfamiliar because the notes are so far apart.&lt;br&gt;&lt;br&gt;For cellists, this means: open your ears!&lt;br&gt;&lt;br&gt;Listen carefully and think about where the notes are.&lt;br&gt;&lt;br&gt;To make &quot;Peter and the Wolf&quot; even more versatile, the 1st part is also included in treble clef.&lt;br&gt;&lt;br&gt;The icons (designed by Yvonne Richter) between the notes help the player to quickly put him/herself into the respective role of the character and to design it accordingly.&lt;br&gt;&lt;br&gt;Level of difficulty: advanced beginners (1st-5th position)&lt;br&gt;&lt;br&gt;For an easier introduction to the work and its pitfalls, there are some warm-up exercises*. *See page 15.&lt;br&gt;&lt;br&gt;This should make &quot;Peter and the Wolf&quot; easy to crack.&lt;br&gt;Try it out, experiment and have fun!&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>Peter and the Wolf (3 violins) 26,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/chamber-music/chamber-music-3-and-more/peter-and-the-wolf-3-violins.html</link>
                <pubDate>Thu, 13 Mar 2025 20:44:11 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3380_sergej-prokofieff-peter-und-der-wolf-fuer-drei-violinen.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;﻿&lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Sheet music &quot;Peter and the Wolf&quot; by Sergej Prokofieff arranged for three violins&lt;br&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Arrangement for violin by&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt; Lore Benker.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;Scope of delivery: score and parts&lt;/b&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;i&gt;Foreword&lt;/i&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&quot;Peter and the Wolf&quot; is program music for the beginning of modernism (20th century). Sergei Prokofiev lived from 1891 to 1953. He was born in the Ukraine, lived and died in Moscow. He wrote the setting of the fairy tale for large orchestra in 1936.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The individual characters (Peter, Songbird, Duck, Cat, Grandfather, Wolf, Hunter) are introduced in memorable themes (short melodies). In the original, each character has its own timbre thanks to the different instruments in the orchestra.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;But with the violin (or the cello) and the bow we also have many possibilities for shaping the sound! Prokofiev arranged his characters in melody and rhythm in such a way that they can also be clearly heard in this version for 3 violins.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The melodies will soon be familiar to you. But the harmony is occasionally irritating due to the frequent chromatic (semitone) shift. The triads are unfamiliar because the notes are so far apart.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;For violinists, this means: open your ears!&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Listen carefully and think about where the notes lie.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The icons (designed by Yvonne Richter) between the notes help the player to quickly put themselves in the respective role of the figure and shape it accordingly.&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Difficulty level: advanced beginners&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Try it out, experiment and have fun!&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3380-5&lt;/span&gt;&lt;b style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;br&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;br&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Lore Benker&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>Around Spain (3 Vc) 19,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/chamber-music/chamber-music-3-and-more/around-spain-3-vc.html</link>
                <pubDate>Thu, 27 Feb 2025 12:09:54 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3388_benker-rund-um-spanien-eingerichtet-fuer-drei-violoncelli.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Sheet music “Around Spain” for 3 cellos arranged by Lore Benker&lt;/span&gt;&lt;/h2&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Six works from the second half of the 19th century have been arranged for three cellos by Lore Benker.&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The level of difficulty ranges from easy to moderately difficult.&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;In the score and parts there is a page with tips for practicing and fingering suggestions so that you can get started with the cello straight away.&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The 1st to 4th positions should be mastered, then the pieces are really fun.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;&lt;font color=&quot;#ff0000&quot;&gt;Features: Score plus parts&lt;/font&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;Contents:&lt;/b&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Georges Bizet: Habanera from the opera Carmen&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Isaac Albéniz: Tango&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Isaac Albéniz: Granada, No. 1 from the Spanish Suite&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Isaac Albéniz: Zambra Granadina, Danse orientale&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Manuel de Falla: Spanish Dance No. 1&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Enrique Granados: Spanish Dance No. 2, Andante&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3388-1&lt;/span&gt;</description>
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                <title>Sonata op. 4 [1] arrangement for 4 cellos 14,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/sonata-op-4-1-arrangement-for-4-cellos.html</link>
                <pubDate>Mon, 29 Jan 2024 11:12:47 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3373_corelli-sonate-op-4-nr-1-eingerichtet-fuer-vier-violoncelli.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Sheet music Sonata op. 4 [1] by Arcangelo Corelli for 4 cellos&lt;br&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Arrangemwnt by Lore Benker.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;Scope of delivery:&lt;/b&gt; score and parts&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The parts Vc. 1 and 2 are also included in treble clef.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3373-7&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>La Follia (3 Vvoloncello) 21,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/la-follia-3-vvoloncello.html</link>
                <pubDate>Wed, 18 Mar 2026 09:55:01 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3361_corelli-la-follia-bearbeitung-fuer-3-violoncelli.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;sheet music &quot;LA FOLLIA&quot; by Arcangelo Corelli for 3 violoncello.&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Arrangement by Lore Benker&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3361-4&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>La Follia (3 Violoncello) 21,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/la-follia-3-violoncello.html</link>
                <pubDate>Mon, 19 Feb 2024 17:29:01 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover_3366_vivaldi-la-follia-bearbeitung-fuer-3-violoncelli.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;sheet music La Follia&quot; Theme and variations by Antonio Vivaldi&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;arrangement for 3 violoncello by Lore Benker&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3366-9&lt;/span&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
                <guid isPermaLink="true">https://www.notenpost.de/en/instrumental-music/strings/violoncello/la-follia-3-violoncello.html</guid>
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                <title>We´re going to the beach (piano) 9,90 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/keyboard-instruments/piano-2ms/we-re-going-to-the-beach-piano.html</link>
                <pubDate>Wed, 17 Feb 2021 09:45:38 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_3298_lilia-suchova-wirgehen-an-den-strand-leichte-klavierstuecke.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Sheet music &quot;We´re going to the beach&quot; easy piano pieces&lt;br&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;by Lilia SUCHOVA&lt;/span&gt;&lt;/h2&gt;&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;a href=&quot;https://www.notenpost.de/en/download-oxid/sheet-music-download/oxid/piano-music/we-are-going-to-the-beach-piano-download.html?listtype=search&amp;searchparam=3298&quot; target=&quot;_blank&quot;&gt;Also available as DOWNLOAD.&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Content:&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;i&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Der Tanz&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Warum?&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Krimi&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Mein Freund spielt Gitarre&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Rodelbahn&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Der Grashalm&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Re-Mi-Fa-Tanz&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Mein Hamster&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Das fröhliche Huhn&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Abendlied&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Der Detektiv&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Weiße Etüde&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;La poesia del silenzio&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Wir gehen an den Strand&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;C´era una volta in Italia&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Metal-Song&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Bunte Steine aus dem Meer &lt;/span&gt;&lt;br&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;i&gt;Prozession der Lemminge&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;i&gt;&lt;br&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;&lt;i&gt;Foreword by the composer:&lt;br&gt;As a piano teacher, I&#039;m always looking for easy music for my students.&lt;br&gt;If I can&#039;t find a suitable piece, I write it myself.&lt;br&gt;The pupils are also my first listeners. I always play the pieces to them and ask if they like it. So I created this item with compositions that my students enjoy playing.&lt;br&gt;&lt;br&gt;All music titles (except &quot;Procession of the lemmings&quot;) are very relative and should indicate the way of playing.&lt;br&gt;&lt;br&gt;After a piece is finished, I rack my brains over what it should be called.&lt;br&gt;It has little to do with music, it is rather an additional dimension for our perception. Please do not hope to find soft fur, grain bank and cheek pouches in the piece &quot;My Hamster&quot;. Listen into yourself.&lt;br&gt;&lt;br&gt;You will find a foreword by Klara Grin on the sample pages.&lt;br&gt;&lt;br&gt;This item contains many beautiful drawings by Ekaterina Malaj.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/i&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3298-3&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>Coriolan-Ouverture (4 violoncellos) 16,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/coriolan-ouverture-4-violoncellos.html</link>
                <pubDate>Sun, 25 Sep 2022 13:40:52 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/3295.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Sheet music &quot;Coriolan-Ouverture&quot; op. 62 &lt;span style=&quot;font-size: 18px;&quot;&gt;by Ludwig van &lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Beethoven&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;arrangement for four violoncellos by Lore Benker&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Scope of delivery: Scores and parts&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;span style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;a href=&quot;https://www.notenpost.de/en/download-oxid/sheet-music-download/oxid-oxid-1/coriolan-ouverture-4-violoncello-download.html?listtype=search&amp;searchparam=3295&quot; target=&quot;_blank&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/a&gt;&lt;b&gt;&lt;a href=&quot;https://www.notenpost.de/en/download-oxid/sheet-music-download/oxid-oxid-1/coriolan-ouverture-4-violoncello-download.html?listtype=search&amp;searchparam=3295&quot; target=&quot;_blank&quot;&gt; Also available as DOWNLOAD.&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3295-2&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>French-Suite No. 5 (3 violoncello) 14,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/french-suite-no-5-3-violoncello.html</link>
                <pubDate>Mon, 03 Jun 2024 15:45:23 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/3283.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Sheet music &quot;French-Suite No. 5&quot; &lt;span style=&quot;font-size: 14px;&quot;&gt;by Johann-Sebastian Bach &lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;Arrangement:&lt;/b&gt; Lore Benker for three violoncello&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;a href=&quot;https://www.notenpost.de/en/download-oxid/sheet-music-download/oxid-oxid-1/french-suite-no-5-three-violoncello-download.html?listtype=search&amp;searchparam=3283&quot; target=&quot;_blank&quot;&gt;Also available as DOWNLOAD.&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Parts:&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Allemande&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Courante&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Sarabande&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Gavotte&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Bourrée&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Gigue&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;scope of delivery:&lt;/b&gt; score and parts&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;ISMN 979-0-2024-3283-9&lt;/span&gt;&lt;br&gt;&lt;/p&gt;</description>
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                <title>Serenade (flute, violin, viola) 14,40 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/serenade-flute-violin-viola-111.html</link>
                <pubDate>Sat, 01 Nov 2025 18:17:11 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2162_ester-maegi-serenade.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Serenade &lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by Ester Maegi&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;for flute, violin and viola&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Chambermusic&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Eres Estonia Edition&lt;br /&gt;Estonian Music&lt;br /&gt;Music from Estonia&lt;br /&gt;&lt;br /&gt;&lt;img width=&quot;80&quot; height=&quot;67&quot; alt=&quot;&quot; src=&quot;/out/fck_pictures/Eres-Estonia-Edition-www_eres-music_com(1).jpg&quot; /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;ISMN 979-0-2024-2162-8&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Expression &amp; Impression (violin, piano) 12,40 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/expression-impression-violin-piano-111.html</link>
                <pubDate>Wed, 04 Jun 2025 11:56:13 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2161_ester-maegie-ausdruck-und-eindruck.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Expression and impression&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;for violin and piano&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: x-small;&quot;&gt;Composition by female composer&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Eres Estonia Edition&lt;br /&gt;Music by Ester Maegi&lt;br /&gt;Music from Estonia&lt;br /&gt;&lt;img alt=&quot;&quot; src=&quot;/out/fck_pictures/Eres-Estonia-Edition-www_eres-music_com(1).jpg&quot; width=&quot;80&quot; height=&quot;67&quot; /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Ausdruck und Eindruck&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ISMN 979-0-2024-2161-1&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Around The Mediterranean (Folk-Ensemble) 16,90 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/around-the-mediterranean-folk-ensemble-111.html</link>
                <pubDate>Wed, 11 Jun 2025 21:11:00 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2182_zollmann-rund-ums-mittelmeer.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Around The Mediterranean &lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: small;&quot;&gt;arrangements for flute(s), strings, guitar, bass&lt;/span&gt;&lt;/h2&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Songs And&amp;nbsp;Dances Of Mediterranean Sea &lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Contents:&lt;br /&gt;&lt;/strong&gt;J&#039;ai du bon Tabac&amp;nbsp; (France)&lt;br /&gt;Oh pescator dell onda&amp;nbsp; (Italy)&lt;br /&gt;Ma come bali bela bimba&amp;nbsp; (Italy)&lt;br /&gt;Io mi sono poveretto -Tarantella- (Italy)&lt;br /&gt;Xekinamja psaropula&amp;nbsp; (Greece)&lt;br /&gt;Hava nagila (Israeli)&lt;br /&gt;Zena zena&amp;nbsp; (Greece)&lt;br /&gt;Kalamatianos&amp;nbsp; (Greece)&lt;br /&gt;Siganos / Pentosalis&amp;nbsp; (Greece)&lt;br /&gt;Zemer atik&amp;nbsp; (Israeli)&lt;br /&gt;Ve David&amp;nbsp; (Israeli)&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Music of other peoples&lt;br /&gt;&lt;/strong&gt;Singing, playing, and dancing to the music of other peoples can not only make an important contribution to music education but also, especially in our time, encourage children, adolescents, and adults to sample foreign cultures in a pleasant and creative manner.&lt;br /&gt;This collection, Jike the one already published*, was put together in connection with work at a music school. lt is designed to encourage teachers, pupils, and music lovers to become acquainted with the music of other peoples.&lt;br /&gt;The instrumentation is meant to be variable. The various parts can be played or omitted at will. Because music schools are more likely to have a cello, I have used that instrument instead of the bass viol. The cello is to be played pizzicato. Other bass instruments may be used as well. Cello and guitar are used chiefly as accompainiment, and they can also have a percussive function. The cello and the guitar should also play melody parts if their players are able. The guitar&#039;s chords do not always correspond to the harmonic feeling of the composition; rather, they supplement it.&lt;br /&gt;The score is one of many possibilities for performance. Several stanzas should always be played, and they should contrast as much as possible. For example, the opening stanza can be played by the softest or deepest-voiced instruments, and the others can be added gradually. Unison stanzas can also have a charming effect.&lt;br /&gt;Social learning is promoted and the aural perception of players is trained when the group works together to develop its own arrangements. Most important, it&#039;s fun!&lt;br /&gt;I wish all of you who use my books much enjoyment.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Juliane Zollmann&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;NOTE:&lt;br /&gt;&lt;/strong&gt;The harmonies and melodies of these pieces often seem strange to our &quot;classical&quot; ears. The peculiarities in the music of other peoples cannot necessarily be written down with our notation. I recommend listening to original recordings from the countries in question. One such example is the French edition &quot;Music folklorique du Mond&quot;.&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;ISMN 979-0-2024-2182-6&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
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                <title>Lady Madonna (piano) 10,40 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/lady-madonna-piano-111.html</link>
                <pubDate>Mon, 21 Apr 2025 20:05:40 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2604_lennon-mccartney-lady-madonna.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Lady Madonna&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: smaller;&quot;&gt;variations for piano&lt;/span&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;The incorporation of various skill figures makes the magazine for piano lessons very interesting. All intervals and chords are non legato (some with pedal) played. Moreover, should you play legato, specifically those varying rock&#039;n&#039;roll figure of the left hand.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by John Lennon / Paul McCartney&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;ISMN 979-0-2024-2604-3&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Presto (violin &amp; piano) 10,40 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violin-piano/presto-violin-piano.html</link>
                <pubDate>Wed, 13 Mar 2024 20:04:59 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2841_maegi-presto.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Presto &lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: small;&quot;&gt;for violin and piano &lt;/span&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by Ester Maegi&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;This work was written in 2 0 0 3.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Eres Estonia Edition&lt;br /&gt;Music for strings &lt;/span&gt;&lt;br /&gt;&lt;img width=&quot;80&quot; height=&quot;67&quot; src=&quot;/out/fck_pictures/Eres-Estonia-Edition-www_eres-musik_de.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ISMN 979-0-2024-2841-2&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Sonnet à l&#039; Amour (vocal, guitar) 14,00 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/sonnet-l-amour-vocal-guitar-111.html</link>
                <pubDate>Thu, 03 Jan 2019 12:28:45 +0100</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2796_narbutaite-sonett-a-l-amour.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Sonnet &amp;agrave; l&amp;acute;Amour&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: small;&quot;&gt;or tenor or soprano and guitar&lt;/span&gt;&lt;span style=&quot;font-size: larger;&quot;&gt; &lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by Onute Narbutaite&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;upon lyrics by Oscar V. de. L. Millosz.&lt;br /&gt;Duration: 21,00 min&lt;br /&gt;&lt;br /&gt;Music from Lithuania&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>So ein Zirkus (violoncello) 8,20 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/strings/violoncello/so-ein-zirkus-violoncello-111.html</link>
                <pubDate>Mon, 27 Jun 2022 10:21:01 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2696_lore-benker-so-ein-zirkus.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;So ein Zirkus&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt; for violoncello&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Content:&lt;/strong&gt;&lt;br /&gt; Vor Beginn&lt;br /&gt; Der Zirkusdirektor&lt;br /&gt; Pferd und Esel&lt;br /&gt; Die Schlange&lt;br /&gt; Kamel und Elefant&lt;br /&gt; Die Akrobaten&lt;br /&gt; Die Raubtiere&lt;br /&gt; Der Clown&lt;br /&gt; Der Specht&lt;br /&gt; Katzen und Ziegen &lt;br /&gt; Das Finale&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;ISMN 979-0-2024-2696-8&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Collocutio (saxophone quartet) 30,80 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/collocutio-saxophone-quartet-111.html</link>
                <pubDate>Sun, 08 May 2022 16:30:41 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2689_maegi-collocutio.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Collocutio&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;for saxophone quartet&lt;/span&gt;&lt;/h2&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;This piece for saxophone quartet wrote Ester Maegi in&amp;nbsp; 1 9 9 4&amp;nbsp; for Stockholm Saxophone-Quartet.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Scope of delivery: Score with parts&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Eres Estonia Edition&lt;br /&gt;Estonian Music&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Music from Estonia&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;img width=&quot;80&quot; height=&quot;67&quot; alt=&quot;&quot; src=&quot;/out/fck_pictures/Eres-Estonia-Edition-www_eres-music_com(1).jpg&quot; /&gt;&amp;nbsp;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;ISMN 979-0-2024-2689-0&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description>
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                <title>Vesper (string orchestra) 19,40 &euro;</title>
                <link>https://www.notenpost.de/en/everything-else/female-composer-arranger/vesper-string-orchestra-111.html</link>
                <pubDate>Mon, 16 Jun 2025 10:57:07 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover_eres-9018_ester-maegi-vesper.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Vesper &lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;h2&gt;&lt;span style=&quot;font-size: small;&quot;&gt;for string orchestra&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by Ester Maegi &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Score&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Duration&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;: ca. 6 min.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Parts available for hire (eres 9018.9)&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Performances:&lt;br /&gt;&lt;/strong&gt;28.10.2 0 0 6 Helsinki (Finland)&lt;br /&gt;29.10.2 0 0 6 Tallinn (Estonia)&lt;br /&gt;23.07.2 0 0 7 P&amp;auml;rnu (Estonia) &lt;br /&gt;Summer 2 0 0 7 (Sweden)&lt;/span&gt;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Eres Estonia Edition&lt;br /&gt;Estonian Music&lt;br /&gt;Music from Estonia&lt;/span&gt;&lt;br /&gt;&lt;img width=&quot;80&quot; height=&quot;67&quot; src=&quot;/out/fck_pictures/Eres-Estonia-Edition-www_eres-music_com(1).jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;&lt;p align=&quot;justify&quot;&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;ISMN 979-0-2024-9018-1&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&lt;/p&gt;</description>
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                <title>Two pieces for flute 8,20 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/wind-instruments/flute/two-pieces-for-flute-111.html</link>
                <pubDate>Mon, 27 Jun 2022 11:12:05 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2859_gribincika-zwei-stuecke-fuer-floete.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Two pieces for flute&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;by Marina Gribincika&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;1. Pastorale&lt;br&gt;2. Nocturne&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Female Composer from Latvia.&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;span style=&quot;font-weight: bold;&quot;&gt;&lt;span style=&quot;color: rgb(255, 0, 0);&quot;&gt;&lt;a href=&quot;https://www.notenpost.de/en/download-oxid/sheet-music-download/various-instruments/two-pieces-for-flute-flute-download.html?listtype=search&amp;searchparam=2859&quot; target=&quot;_blank&quot;&gt;also available as DOWNLOAD&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;ISMN 979-0-2024-2859-7&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</description>
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                <title>Dreamtime on Piano Vol. 1 16,80 &euro;</title>
                <link>https://www.notenpost.de/en/instrumental-music/keyboard-instruments/piano-2ms/dreamtime-on-piano-vol-1-111.html</link>
                <pubDate>Tue, 16 Jun 2020 10:48:31 +0200</pubDate>
                <description>&lt;img src=&#039;https://www.notenpost.de/out/pictures/generated/product/1/185_150_100/cover-eres_2891_collmann-traumzeit-1.jpg&#039; border=0 align=&#039;left&#039; hspace=5&gt;&lt;h2&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;DREAMTIME on piano Vol. 1&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;Cycle of moodful compositions for piano inculded CD&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;strong&gt;&lt;br /&gt;&amp;nbsp; Content: &lt;/strong&gt;&lt;br /&gt; &amp;nbsp; 1.&amp;nbsp; Melancholie im 3/4-Takt&amp;nbsp;&amp;nbsp; &lt;br /&gt; &amp;nbsp; 2.&amp;nbsp; Traumzeit&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &lt;br /&gt; &amp;nbsp; 3.&amp;nbsp; Lichtspiele&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 4.&amp;nbsp; In aller Stille&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 5.&amp;nbsp; Vorfreude&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 6.&amp;nbsp; Shalom&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 7.&amp;nbsp; Impression&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 8.&amp;nbsp; Komm zur&amp;uuml;ck&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; &amp;nbsp; 9.&amp;nbsp; Zur Nacht&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br /&gt; 10.&amp;nbsp; Ausklang&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;span style=&quot;color: rgb(128, 128, 128);&quot;&gt;ISMN 979-0-2024-2891-7&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;Melancholy in &amp;frac34; Time&lt;/span&gt;&lt;/strong&gt;&lt;span style=&quot;font-size: larger;&quot;&gt;&lt;br /&gt;A lilting waltz tempo slightly as he could be heard from far away on the banks of the Seine. A little melancholy, especially in the middle part a little wistfully ...&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dreamtime&lt;/strong&gt;&lt;br /&gt;This melodious piece is my most dear, after I named him the whole cycle. Dreamtime - a profound concept of Aboriginal Australians - contains so much wisdom, faith and mysticism ... I have the composition John Jee dedicated (a family friend of my Australian husband), who on 24 July 2006, a few months after heart transplantation, died in Sydney. He was only 20 years old. John died just at the time when I wrote this music 18000 km away. She pushes his &quot;road to paradise&quot; from, lulled by the gentle ocean surf &#039;the lower voice, at first hesitant, then more freely floating, finally without pain, without fear, redeemed ...&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Light Games&lt;/strong&gt;&lt;br /&gt;A lively interplay between major and minor; dancing sunbeams, sometimes briefly covered by small clouds ... light and shadows that play together ...&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Quietly&lt;/strong&gt;&lt;br /&gt;This peaceful, quiet piece is inspired by the steady beat of the human heart. I wrote it for my husband Leon, who is now finally on the road to recovery after two serious heart operations. &quot;Silently&quot; is sort of a plea to his heart to keep beating quietly and reliably in this steady beat.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anticipation&lt;/strong&gt;&lt;br /&gt;This piece requires hardly a statement: butterflies in the stomach, high-spirited excitement in front of a beautiful event, a non - wait - can, until it is finally here, &quot;blessed wobble&quot; in the quieter middle section, each other&#039;s arms race in the end .. Happy. end ...&lt;br /&gt;I&#039;ve written just after I had booked my ticket for my next stay in Australia with Leon ...&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Shalom&lt;/strong&gt;&lt;br /&gt;On the other hand sometimes nestle full of oriental sound elements that clearly and dominantly take the lead in the first part in the middle part a little &#039;hidden&#039; in the polyphonic lower voice with familiar Western waltzes. The beginning is vaguely reminiscent of &quot;Hava Nagila&quot;, and so I have the Israel composition associated with the hope of a long-awaited peace there. Shalom!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Impression&lt;/strong&gt;&lt;br /&gt;Inspired by C. Debussy&#039;s &quot;Arabesque&quot; in E-flat major, I wrote this piece, which is based on impressionistic harmony and rhythm elements; MollSeptimakkorde, &quot;added sixth ajout&amp;eacute;e&quot; and the steady rhythmic opposition &#039;of the triplets and duplets give a sound, the slightly blurred and shimmering effect and deliberately avoided sharp contours.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Come back ...&lt;/strong&gt;&lt;br /&gt;A rather dreamed as danced tango, more a reminder of times past, youth, a long lost love ... Full of sweet sadness and longing, tender sad, but certainly not resigned or hopeless ... Come back!&lt;br /&gt;(Note on interpretation: The many typical tango syncopation&amp;gt; eighth-quarter-eighth &#039;that run in the melody through the entire piece, I play in my recording conscious almost always as quarter-note triplets, which, although in combination with the lower voice is rhythmically somewhat more difficult, but the piece adds softness and dreaminess., it is up to the players, between this and the free-listed, that is, to choose tighter &#039;version.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;For night&lt;/strong&gt;&lt;br /&gt;The last hour between day and dream of all the bustle and hustle of at the end tending day fade away slowly ... leaning Lean back &#039;sounds a simple, peaceful melody, a chorale-like lullaby in something more agitated middle section before the first fluttering dream-veil suggests ...&lt;br /&gt;This little musical journey ends through the world of human emotions: A peaceful, almost conciliatory &#039;melody, to which dazugesellt polyphonic a second voice for a few moments, the whole harmonious gently carried by the lower voice too quiet and &quot;unvirtuos&quot; held now. is final dream-time ...&lt;/span&gt;&lt;/p&gt; &lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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